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Sounds x Words: Left Bank Magazine x SoundGirls for #WCW // Marion Keisker

As part of our new Spotlight: Women & Non-Binary Artists, we’ve partnered with SoundGirls to share a weekly profile on the “mighty but marginalized” members of the arts and music community. This week, we’re featuring Marion Keisker, U.S. Air Force Officer, radio host…and the first to record a young truck driver from Mississippi named Elvis Presley. 

“Marion Keisker MacInnes (September 23, 1917 – December 29, 1989), born in Memphis, Tennessee, was a radio show host, station manager, U.S. Air Force officer, and assistant to Sam Phillips at Sun Records. She is best known for being the first person to record Elvis Presley on July 18, 1953. Keisker had a vibrant career in broadcasting, made inroads for women in a male-dominated media industry, and became an activist in the burgeoning women’s rights movement.” – Sun Record Company website

Radio Years

Marion’s radio debut was in 1929 (at age 11) on WREC in Memphis. She attended Southwestern College where she studied English and Medieval French and graduated in 1938. She was married in 1939 and had a son before divorcing in 1943.

Marion went on to become one of the best-known female radio personalities in Memphis where she worked at virtually every station in town. By 1946, she was hired full-time by WREC where she hosted a daily talk show, “Meet Kitty Kelly.” Management suggested her show be a “woman’s program” based around homemaking, beauty or storytelling for children. She refused, wanted to make a show that interested her generally and not exclusively around her gender.

At WREC, Marion wrote, produced and directed 14 other programs. She worked on a weekly music show (which broadcast big bands) where she met Sam Phillips. Sam was a broadcast engineer and on-air personality for WREC. Sam had ambitions to open a recording studio and asked Marion to come work for him (as his assistant and studio manager). Marion, a single mom who knew little about music, wanted to help Sam fulfill his vision.

Memphis Recording Service: The Birthplace of Rock ‘N’ Roll

Sam and Marion were together when Sam discovered the empty building at 706 Union Avenue he wanted for his studio. “With many difficulties, we got the place, we raised the money, and between us we did everything,” Marion recollected in an interview. “We laid all the tile, and we painted the acoustic boards. I put in the bathroom; Sam put in the control room – what little equipment he had always had to be the best.”

The studio, which opened in 1950, was named Memphis Recording Service. Marion was working part-time at WREC alongside her duties at the studio (as well as Sam’s record label, Sun Records, when it opened in 1952). In a later interview, Marion said of the studio, “I scrubbed the floors, did the publicity, the works.” While she was sometimes referred to as secretary, she said, “it’s ok if they’ll also say I was office manager, assistant engineer and general Jane of all trades.”

 

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Marion Keisker’s office at Sun Records

 

Sam’s business card carried the motto, “We record anything–anywhere–anytime.” Sam’s vision was to record and produce black musicians – a progressive attitude for the time. What’s considered by some to be the first rock and roll single, “Rocket 88,” was recorded and produced by Sam in 1951 (it hit number 1 on the Billboard R&B chart). Blues and R&B artists like B.B. King, Howlin’ Wolf, and Ike Turner recorded at the studio in the early 1950s.

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The studio later attracted rock and roll, rockabilly, and country artists like Johnny Cash, Carl Perkins, Roy Orbison, and Jerry Lee Lewis. More on the studio’s technical setup can be found here.

The Start of Elvis’s Career

On Saturday, July 18, 1953, Elvis Presley stopped by the studio to make his first demo recording. Marion was the first to meet him, and the story has become folklore with Elvis fans. Marion asked, “What kind of singer are you?” Elvis said, “I sing all kinds.” Marion asked, “Who do you sound like?” He responded, “I don’t sound like nobody.”

Elvis recorded two songs on a 10” acetate disk, “My Happiness” and “That’s When Heartaches Begin” for around $4. There’s some dispute on who did the recording (more on that later). By Marion’s account, Sam was out of the studio when Elvis arrived, so she operated the studio’s Rek-O-Kut direct to disk lathe and also ran the mono recorder. Marion, who kept notes on artists for future opportunities, wrote next to his name in the studio’s records: ‘Good Ballad Singer – Hold.’

Marion tells her side of the story recording Elvis:

The next summer, Sam needed a singer for a song called “Without You,” and Marion encouraged him to try Elvis. While Elvis wasn’t right for the song, it opened the door to singing other tunes for Sam. Elvis was then introduced to a friend of Sam’s, guitarist Scotty Moore, and bassist Bill Black. On July 5, 1954, the three were in the studio recording. Elvis’s first record came from that session (“That’s All Right” and “Blue Moon of Kentucky”), and the songs were on the radio less than a week later. Elvis was 19 years old, had never played a professional gig, and hadn’t played with his bandmates until that session.

All-Women Radio Station

On top of working at the recording studio and record label, Marion helped Sam launch WHER-AM, the first all-female radio station in the country. Both talent and staff were almost entirely women. WHER launched in 1955 with Marion being the first voice heard on-air. She read the news for two years at the station. Sam’s wife, Becky, was one of the first DJs at WHER.

Air Force

After her relationship with Sam became tumultuous, Marion left her job in 1957 and joined the US Air Force (where she was offered a direct commission as captain). After training, she was assigned to Vance Air Force Base in Oklahoma where she was the only female officer other than nurses. She was transferred to Ramstein AFB in Germany where she was Commander of the largest armed forces television facility in the world.

At the television station, American TV programs were copied and shipped overseas weekly. Staff members were responsible for the news, weather, and sports. According to the Air Force’s Historical Support Division, “German television sets could not receive the station because they could not pick up the MHz frequency. German radios, however, could tune in to American broadcasts from the American Forces Radio Network. Many Germans learned English by listening to the Armed Forces Radio Network.”

In 1960, Army private Elvis Presley was in Germany doing a press conference when he stopped to say hello to one of the few women in the room, Captain Marion Keisker MacInnes.

Elvis told her, ‘I don’t know whether to kiss you or salute!’ She responded, ‘In that order.’ She was reprimanded by an army captain for over-familiarity with a noncom. Elvis defended her and said, “…we wouldn’t be having a press conference if it weren’t for this lady.”

Marion went on to serve at Patrick Air Force Base in Florida (Cape Canaveral is controlled and operated by this base). She was stationed there during a lot of the space activities of the 1960s including manned and unmanned space programs.

Marion retired from the Air Force in 1969 after 14 years of service and returned to Memphis where she became a key figure in the local women’s rights movement.

Women’s Rights Advocate

Marion was co-founder and president of the Memphis chapter of the National Organization of Women. She fought to change the classified ads in the local newspapers so jobs would not be separated by gender. She was a member of the Women’s Media Group where she fought discrimination against women in the media.

In the 1970s and 1980s, she was known for her broadcasting and theater work in Memphis. Marion frequently wrote letters to the editor to address issues of discrimination against women. Marion died December 29, 1989, after a long battle with cancer.

Elvis Recording Controversy

Marion’s claim to be the first to record Elvis dates as far back as 1955. Her story did not waver (other than minor details) from that time until her death in 1989. Conversely, Sam didn’t comment about the recording until 1979. In 1986, Sam Phillips did an interview with Rolling Stone Magazine where he said of the recording, “Well, I would love to say Marion did it. She did an awful lot for me, man. I mean we painted floors together. I wouldn’t take anything away from Marion Keisker. And I think she made the statement inadvertently. I don’t want to make Marion look bad on the thing. I wish you’d just drop it, ’cause I don’t care who it was. But it was simply me. That’s all.”

Author Peter Guralnick, who was friends with both Sam and Marion, discusses the controversy in his 2016 book, “Sam Phillips: The Man Who Invented Rock ‘n’ Roll”:

To test Sam’s contention that Marion had never recorded anyone in that studio, I tried without success to find someone she had. I spoke to numerous people familiar with the Sun operation over the years, and all agreed from what they knew of Marion and the technical operation of the lathe, that not only could she have operated it, she probably did. But none could recall ever seeing her do so. I tried to contact her son, who she said was frequently in the studio with her, but was unable to get a response from him. I even asked Marion if she could suggest someone I might talk to, if she could give me the name of someone she had recorded—which I thought could at least settle the equipment question once and for all—but although we remained in frequent contact right up until her death, she never directly addressed the question. And so I am left with my own discomfiting conclusion. . .

All I can offer by way of explanation is Marion’s view of memory as a fleeting and fungible thing. “I’ve really become very much conscious and preoccupied with the subject of memory,” she said to me one time. “How subjective it is, how protective it is. It wasn’t that we didn’t know that things were happening, it’s just that there wasn’t enough time and energy [to write it down]. So I don’t know, it’s sort of like, whatever I may have suggested, it’s quite possibly not accurate.

Marion’s Legacy

While it’s probable that Marion Kreisker could add “tape op” to her job duties at Memphis Recording Service/Sun Records, there are no known witnesses to her actually doing it. But, both Sam Phillips and Elvis Presley publicly expressed their gratitude to Marion – Elvis saying more than once Marion was a pivotal person in his career and Sam acknowledging many times he couldn’t have done it without her.

Even with those accolades, Marion Keisker is often presented in the Sun Records story as merely a personal assistant or secretary to Sam Phillips. While Marion has been recognized by women’s rights organizations, Elvis historians and fan clubs all over the world, her contribution to the audio and radio community has largely gone unknown. We would like to recognize Marion Keisker as one of the pioneers of women in our community.

“I think that if women stand behind women – both women as audience, women as listeners and viewers and women as co-workers within the broadcast field – we’d just be supportive and give each other a little encouragement, it would make all the difference.” Marion Keisker MacInnes

The Elvis Record Today

In 2015, Jack White anonymously purchased the acetate disk of Elvis’s 1953 recording in an auction for $300,000. The recording was digitally transferred by Alan Stoker. A video of the process is here:

Source: SoundGirls // Profile on Marion Keisker by April Tucker

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